Vaishnavism / Ram Bhakti

नमो नमो अञ्जनी-नन्दनाय | जय सिया राम, जय जय हनुमान

Baba Hanuman

Namo Namo Anjani-nandanaya / Jaya Siya Ram, Jai Jai Hanuman

Listen & Chant Along

Listen & chant along — performed by Krishna Das

"A joyful invocation of Hanuman — "I bow again and again to Anjani's son""

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Meaning & Translation

Sanskrit

नमो नमो अञ्जनी-नन्दनाय | जय सिया राम, जय जय हनुमान

Transliteration

Namo Namo Anjani-nandanaya / Jaya Siya Ram, Jai Jai Hanuman

Pronunciation

Hear It Spoken

Deity / Quality Invoked

Hanuman

Full Translation

A flowing call-and-response chant that invokes Hanuman by his loving names: Anjani-nandana (son of mother Anjani), Bajrangbali (the one with a body like a thunderbolt), and Sankata Mochan (remover of difficulties and suffering). Woven through with "Jaya Siya Ram," it celebrates Hanuman's grace, strength, and boundless devotion to Sita and Rama.

Spiritual Significance

Chanting it is felt to invoke Hanuman's protection and grace — the dissolving of fear, obstacles, and suffering. Hanuman is held up as the model devotee, and singing his names is a way of asking for that same one-pointed, selfless love of the divine.

Cultural Context & History

A signature chant of Krishna Das, who threads traditional Hanuman invocations into long, building, meditative kirtan. Hanuman holds a special place in the lineage of Neem Karoli Baba, the guru who shaped Krishna Das's path.

For Leaders

Chords and structure for leading this chant on harmonium or guitar — transcribed from the linked recording. New to leading? Read our guide to leading kirtan →

Original key

C

Tempo & feel

Relaxed mid-tempo (~92 bpm); breathes wide, with instrumental space between cycles

Chord Chart

Strumming & rhythm (4/4)

D·
1
DU
2
·U
3
DU
4

D = downstrum, U = upstrum, · = let it ring. relaxed classic strum; drop to bass-note-only downs in the instrumental space.

Call

CNamo Namo, FNamo Namo
CAnjani-nandaFnaya

Response

CNamo Namo, FNamo Namo
CAnjani-nandaFnaya

Chorus

CJaya Siya Rama, FJai Jai Hanuman
DmJaya Siya Rama, FJai Jai HanuCman

Call & Response Structure

Verse floats on the two-chord C–F swing, call and response identical. The chorus is the destination: the drop to Dm on the third "Jaya Siya Rama" is the emotional turn — land it together, then resolve home to C on "Hanuman". Long versions alternate verse and chorus for many rounds before a hushed final verse.

Terms in the Glossary

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